Global food prices continue to fall in September

Global food prices continue to fall in September

Global food prices fell further in September for the sixth straight month, driven by a sharp drop in vegetable oils that offset a slight rise in grains, the United Nations’ Food and Agriculture Organization (FAO) said on Friday.

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The FAO Food Price Index, which tracks international prices of a basket of goods, has fallen again since hitting a record high in March after Russia invaded Ukraine. In September it fell moderately by 1.1% compared to August.

At 136.3 points, it remains at a high level, “5.5% higher than a year ago,” according to the organization.

The FAO vegetable oil price index fell 6.6% in a month, hitting “the lowest level since February 2021”. “International prices for palm, soybean, sunflower and canola oil have all fallen,” the organization said, thanks to the existence of abundant palm oil supplies and a seasonal increase in production in Southeast Asia.

Rising fuel prices truckers in the red
1652175074 279 Rising fuel prices truckers in the red

Meanwhile, the FAO grain price index rose slightly by 1.5% compared to August. International wheat prices rallied 2.2% on drought concerns in the United States and Argentina and uncertainty about the expansion of the shipping corridor to carry grain from Ukraine beyond the month of November.

The organization has again revised downwards its outlook for global grain production in 2022. Due to unfavorable weather conditions, particularly in the United States, a 1.7% decrease from 2021 is expected.

“45 countries, including 33 in Africa, nine in Asia, two in Latin America and the Caribbean and one in Europe, are in need of external food aid,” the FAO warned on Friday.

Nearly a million people around the world are at risk of “catastrophic famine” and will die without humanitarian assistance in the coming months, the UN warned in a report released in September, a record number attributed in particular to the devastating drought in the Horn from Africa.

The FAO also forecasts a 2.4% slowdown in world grain trade for the 2022/2023 campaign compared to the previous one, due in particular to the war in Ukraine.

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Russian Threats Joe Biden Warns of Danger of Nuclear Apocalypse

Russian Threats: Joe Biden Warns of Danger of ‘Nuclear Apocalypse’, White House Delayed

Published on: 07/10/2022 – 13:06 Changed on: 07/10/2022 – 19:05

As Russia thinly threatens to use its nuclear weapons in the war in Ukraine, US President Joe Biden said on Thursday October 6 that he was “not kidding” and reminded that the world has “not been with the… possibility of an apocalypse” is Kennedy and the Cuban Missile Crisis”.

Vladimir Putin is not joking, Joe Biden said when he spoke of “possible use of tactical nuclear weapons or biological or chemical weapons” because his army was “very underperforming”. And the American President to “conjure up a risk of using nuclear weapons for the first time since the Cuban missile crisis if things continue as they currently lend”.

In allusion to this 1962 crisis and the risk involved, the US President used the term “nuclear apocalypse” (“Nuclear Armageddon”).

A few hours later, the White House spokeswoman stepped aside: “We have no reason to adjust our own strategic nuclear position, nor do we have any indication that Russia is preparing for the imminent use of nuclear weapons. When asked if this more alarmist tone was related to new information from the United States, the spokeswoman replied, “No,” during a brief question-and-answer session aboard the plane that was taking Joe Biden on a trip to northwest Washington. .

“What is the exit door for Putin”

The New York Times points out that for sixty years, American presidents have seldom discussed the possible use of nuclear weapons, and in such a dark tone. Joe Biden did it at a fundraiser for Democratic Senate candidates. At this type of event, the Associated Press news agency points out, the head of state tends to be less guarded and more direct.

His security adviser had already stressed at the end of September that any use of nuclear weapons would have catastrophic consequences for Russia. “We’re trying to understand what the exit door is for Putin,” the US President said on Thursday. “How can he get out of there, position himself in such a way that he doesn’t lose face or a significant part of his power in Russia? »

Also read: Ukraine: the undertones of Russia’s nuclear threat

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Gas price cap as Italy focuses on the dynamic

Gas price cap as Italy focuses on the “dynamic”

The proposal of a dynamic cap could be a right solution for the different needs of the market, said the EU’s Economy Commissioner, Paolo Gentiloni, in a speech on Radio Anch’io on Radio1. A general gas price cap could have contraindications, Gentiloni added, specifying that the attitude towards Russia cannot be the same as towards Norway or Algeria and for this reason a dynamic price cap can meet this need. Gentiloni believes positions among EU member states are converging and hopes the Commission can come up with a proposal ahead of the EU leaders’ summit scheduled for October 20-21.

So is the dynamic gas price cap

The proposal, put forward by Italy, Poland, Greece and Belgium, initially envisages a scenario where there is no shortage of supplies and there is an exchange of gas supply and demand, explains Ansa, who read the non-paper. In this regard, it is proposed to create a dynamic corridor, where it is possible to set a central value for this corridor and update it regularly, taking into account external benchmarks (e.g. crude oil prices) and taking into account fluctuations (e.g. from 5%) around the mean within the corridor. Basically, it is about providing a minimum and a maximum price in order to reduce costs without jeopardizing the supply. The maximum limit can be placed on a reference hub (e.g. Ttf) or on several hubs (Peg, Psv, Zee to avoid arbitrage) or better on all transactions (both on-exchange and OTC). ), explains the document. The problem is convincing Germany that it has so far rejected the idea of ​​the roof.

The roof on the gas used for electricity

The European Commission, on the other hand, has proposed setting a price cap only for the gas used to generate electricity, with a view to reforming the electricity market. Hypothesis that Italy, Poland, Greece and Belgium do not like, which the document underlines how a limited cap on gas used for electricity ignores 2/3 of the gas market and acts as a disincentive to lower prices as importers be compensated for whatever price you pay. This solution, the four countries warn, could create external liability without a clear limit because, for example, the import price can continue to rise and more resources are needed to maintain the cap. The fear that the weight of this intervention will become unsustainable for national budgets.

The hypothesis to replace the ttf

Among the topics discussed is the hypothesis to replace the Ttf in Amsterdam with an alternative index that better reflects the European energy reality. The TTF has worked in the past, but it’s time to have a more truthful European index. There is no justification for the 8-10x increase in the price of gasoline, we pay so much for it because someone is afraid that it will be missing in the future. Everything is evolving, even the market, the rules must be changed, said the Minister of Ecological Transition, Roberto Cingolani, in recent days. For obvious reasons, this prospect does not sit well with the Netherlands.

Negotiations with allied suppliers and joint purchases

Rather than a general cap as suggested by Italy, Brussels prefers to focus on negotiations with suppliers deemed reliable, such as the United States and Norway (which has become the first methane supplier in the European Union, ed.) Imported to bring down gas prices, both methane and LNG. On Thursday October 6, the European Commission announced that it had signed a memorandum of understanding with Norway to commit to jointly developing tools to stabilize energy markets and limit the effects of market manipulation and price volatility. in order to significantly reduce excessively high prices in the short and long term. The question of mandatory joint purchases via the European energy platform is also on the table of the heads of state and government of the EU. We must work together to tackle the energy crisis. We can also do it in no particular order, but we would lose European unity, Prime Minister Mario Draghi warned. A message that seems to be aimed primarily at Berlin, which has decided to go it alone with the $200 billion super plan for the time being and continues to reject the price cap hypothesis. There is also the possibility of strengthening RePowerEu with new funds, which could require the creation of a new common instrument. An unwelcome scenario for the so-called frugal, Holland at the top, but also for Germany, which rejected Commissioners Breton and Gentiloni’s proposal to resort to a new shared debt to deal with the energy crisis along the lines of what was done during the crisis became the pandemic with Sure.

The Corriere della Sera, the website and the newsletters will not bear the signatures of your newspaper’s journalists today, as yesterday, to underline the poor state of union relations with the company, which is suspending negotiations on various issues affecting them has future of the editorial office.

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Erika Buenfil did not attend Andres Garcias parties for this

Erika Buenfil did not attend Andrés García’s parties for this reason Tus Compadres

Erika Buenfil did not go to Andrés García's parties Erika Buenfil did not go to Andrés García’s parties
Oct 05, 2022 3:03 p.m

Andrés García is one of the actors who conquered Mexican television, since his arrival his presence and talent have been of great importance for him to achieve success outside his country, without a doubt the actor has been one of the most celebrated within the medium Artist who had too many friends with colleagues from the artistic world, including singers.

One of the actor’s most notorious friendships was with the singer known as Luis Miguel, as Andrés García was a friend of Mickey’s father and had known the singer since childhood, just like actor Luis Miguel was one of the singer’s most friends in the industry , in which he had several romances with different actresses and, oddly enough, had a mutual friend with Andrés García.

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It’s about actress Erika Buenfil, who has been friends with Andrés García since they met on the small screen, but the actress briefly had an affair with Luis Miguel, and when the Dominican actor went to his parties, Erika refused, not to go meetings with the so-called “Sun”, and that’s why his absence shone at the luxurious parties of the heartthrob Andrés García.

The romance between Erika Buenfil and Luis Miguel

First actress Erika Buenfil said that the relationship she had with Luis Miguel was very pleasant, she even revealed that she enjoyed private musical performances at her home, they met at a Luis Miguel concert and since the singer her saw he was intrigued and through mutual friends he was able to meet the actress and thus the romance between the two characters took place.

Erika Buenfil did not attend Andrés García’s parties for this reason Tus Compadres Read More »

Like Claver Carone Luis Almagro is under investigation for his

Like Claver Carone? Luis Almagro is under investigation for his relationship with an OAS official AméricaEconomía

Organization of American States (OAS) secretary-general, Uruguayan Luis Almagro, is under investigation by the agency after he was denounced for having a romantic relationship with an OAS official, Mexican Marián Vidaurri, the Associated Press Agency (PA) reported. .

The hemispheric organization has been analyzing – since July at the latest – whether the former Uruguayan foreign minister has violated the institution’s code of ethics, which states that “employees and other service providers should not allow any intimate relationship with another employee or service provider with the performance of their duties or disadvantaged.” others in the workplace.

According to the AP, the investigation is labeled “Alleged Misconduct by a Senior OAS Official” and began after the body received an anonymous complaint about the relationship, which was public anyway and had been addressed by both the Secretary General of the OAS and his Partner in the book Luis Almagro does not ask forgiveness, published in November 2020 by journalists Gonzalo Ferreira and Martín Natalevich.

Some officials assured AP that there were times when those involved created uneasiness in the workplace: Two workers were seen kissing at a 2019 OAS general assembly in Medellín, while another saw them holding hands at a 2020 meeting.

Vidaurri also recognized the relationship in the book published in 2020. “It was and is a connection in all dimensions. Very deep and very intense,” he said of his connection with Almagro.

The woman even revealed to the Uruguayan some jokes she used to make: “I always tell him: ‘I’m smarter because it took me no more than thirty-eight years to know you, it took you about fifty years'” .

Almagro admitted in the book that Vidaurri was part of his small advisory board, and the Mexican revealed that she worked directly for him after a trip to Philadelphia.

“It was on a Friday and on Monday he called me into his office and said: ‘Come work with me,'” says the Mexican political scientist.

Previously she worked at the Secretariat for the Strengthening of Democracy (SFD) as Head of the Department of Political Analysis and Prospects.

“The female sex had a very important force. A very important driving force,” Almagro admitted in the biography of Ferreira and Natalevich.

And he continues: “There is something that Juan Ramón Carrasco said. They asked him when he would have played better. And he answered: When he had a new girlfriend,” he says, laughing. “Somehow I felt identified with Juan Ramón Carrasco”.

Almagro says of falling in love on many occasions that sometimes it’s “impossible” not to be: “I left pieces of leather on the fence. I left pieces of meat on the fence. I would have liked to have had something sturdier.” in the beginning and having all these much quieter personal variables. I think it would have been better in many ways. Maybe not. I don’t know,” he said in Luis Almagro doesn’t apologize.

The OAS probe comes weeks after the Inter-American Development Bank (IDB) removed its President Mauricio Claver-Carone from office when he still had a three-year term in office after it was found he had violated an ethics rule about the institution by maintaining a close relationship with its chief of staff.

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1665162990 Interview about the games narrative design

Interview about the game’s narrative design

During my visit to WB Games Montreal, I had the opportunity to speak to several members of the Gotham Knights team, including Ann Lemay, Narrative Director, and Patrick Vaillancourt, Level Design Director for the missions.

Photo credit: WB Games

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Mario: So obviously we’re going to address the elephant in the room in terms of the story, it’s the fact that Batman is dead. Was building this story a challenge at first? Was it more fear or was it excitement?

Anna: It gave us the opportunity to do something different in an iconic universe that has a lot of history, that has a lot of stories. And then to reach out to other characters who are revered, who are loved, who also have a lot of wealth themselves, and then really do a different take on Court of Owls as a starting point.

Patrick: It allows us to really dive deep into each of the characters, see their stories, how they interact with each other. We can really push that side of the story a lot. You especially feel it when you head to the belfry at the base, with the interactions evolving as the game progresses.

Gotham Knights: Interview about the game's narrative design

Mario: What exactly was the approach to the dynamic between these characters? We know them as superheroes, but on a personal level, all those scenes in the Belfry, how do you make these characters not necessarily likable, Jason Todd for example, he’s not likable but still identifiable to the player?

Anna: Even Jason Todd, every character has something that makes them human. And then really finding that aspect, that vulnerability, that’s what makes a character, someone you can essentially connect with. The starting point we had was: You just suffered a great loss. That means having an emotional shock. Your mentor, your adoptive father, the person who put you on the path to where you are now died and then you don’t know what happened. And then how they deal with it, how they come together… They start from a starting point that isn’t harmonious. Then it’s really their growth as a person, with all the emotions that evokes, and how they grow closer.

Patrick: Both the individual and the interrelationship between the characters.

Mario: And then, right, Batman, he’s not there, but he’s there in a way, so…

Anna: Absolutely.

Mario: What was the challenge, finding the balance between: OK, it’s the story of these characters, but Batman is still there in spirit…in the end, it’s not a Batman story, but it’s still an essential element?

Anna: That’s a great question that no one has asked before. It is something that we have revisited, that we have thought about at each stage of the process to create the individual stories of the knights, the stories of the events that we have in the game and also at the level of the main arc and even the excess content on the page. It’s really, I think, the relationship to progression. In the beginning it is more likely. At some point they have to start grieving, but that’s also in the moments of determination. We have tried to do this as organically as possible. When you’re grieving, when you’ve lost someone, it comes, it goes, it’s not regular, it’s not always logical, but that’s how I think they become family. How they grow closer and then find their own style and then become the best version of themselves as Gotham’s new Dark Knight.

Gotham Knights: Interview about the game's narrative design

Mario: Many times there have been comics where, say, Batman, he’s gone and someone else takes his place. Often in these stories there’s the theme: OK, if Batman dies, he has to be replaced by another Batman, but that’s not the direction you went?

Anna: Absolutely not. That’s a very clever question. The whole point we wanted to make is that it’s each individual knight that becomes the next Guardian based on the player’s choice, but it’s also the best version of yourself as the Dark Knight of Gotham City. It is very important that they don’t just take on the Batman costume or become a Batman. You are different from Bruce. That’s what Bruce appreciated and loved about them too. He saw their strengths and their weaknesses. That’s what we then focus on in relation to their stories.

Mario: And then there’s the choice that Batman is dead. You could have chosen: Batman is just old then a mentor. Was grief something you were dying to talk about?

Anna: It’s a theme that has influenced character selection, all villain selection. It’s a theme that’s important in the story, yes, but it’s also that if you look at the character of Batman, he’s someone who has strong ideas. It would have created a whole different tension to have Batman. It wouldn’t have been the same game or story at all. No, it was really an intention to focus on these characters and also give them full space.

Mario: About the Harley Quinn storyline. I didn’t see everything there, but I still saw a lot. And then I find it interesting, because here’s a Harley that doesn’t actually seem to have the Joker in her life either, so it’s… There’s kind of a parallel that she also thrives on being a villain to develop.

Gotham Knights: Interview about the game's narrative design

Patrick: Anyway, we’re writing the levels to show Harley’s character development. An advance in its evil, in its core. And then each of the levels was designed hand in hand with the narrative. How to push the interesting elements Harley? How and how far can we push Harley? Harley is a little more out there, a little crazier, we can afford a little more crazier stuff. So let’s brainstorm. When we find something that interests us, we say, “Yes, that’s Harley.”

We try to make levels in such a way that we have combat, story, infiltration. We always want to have a little bit of everything for everyone but at the heart of Harley’s story, the narrative and then her progression that we see throughout the villain story arc, it’s really an ongoing collaboration that makes sure we can develop and then live, play and then really believe in it.

Mario: We think it’s also fun that we can dig into the character’s nuances that we haven’t typically seen. She’s not just like a joker sidekick. There are small moments I noticed in the cutscenes, when she learns that Batman is dead, she grimaces and then immediately becomes herself again, but we feel like it affects her too. When she ends up being arrested, there are small moments where we get into the nuances of the character. So we were really able to explore the character in a different way.

Patrick: Totally and that’s what’s interesting, seeing all the facets, the development of a villain and then why she’s doing it. She’s an extremely intelligent, Machiavellian character, and she has her ideas. We can discover the more mature version of Harley throughout the game. He’s a character in his own right, he’s a 3D persona with a really solid origin story from the storytelling team.

Anna: What’s also fun about Harley and all of our villains is that each of them also had a relationship with Batman. It’s not just the knights. It’s how they go through it and their reactions that you can see. Then explore the relationships they form with the knights.

Mario: What also struck me was how alive Gotham is. In the Arkham games, there’s always a reason to evacuate Gotham, and then there’s nobody on the streets, it’s people on the streets. What was the approach to this? The fact that people react, are people afraid? Are people happy to see these heroes? Do they tell the difference between a hero and then a villain?

Patrick: There is indeed progress. How do civilians perceive our heroes? At first they’re a little more, you know, like, “No, I don’t like you.” The further you advance in the game, the more this changes for the better. Then in each of our districts there is something like a feeling, a look, a different backstory. So something-

Anna: A different population.

Patrick: A different population, so let’s go through these environments. We see certain types of people differently than others. That was really important to us. Then each of the districts with the historical side architecture-

Anna: Socioeconomic.

Patrick: Socioeconomically they have a whole background. The research conducted by our artistic director looks at the city’s development over the last 400 years, how it was built and how it influenced history. How do we integrate the story of La Cour des Hiboux into this, into history. It’s really rich in history no matter where you go and then there’s a lot to explore and then a lot of things to discover.

Gotham Knights: Interview about the game's narrative design

Mario: How was the relationship with DC story-wise? Was there a lot of freedom? Were there many parameters to consider? Things you can do you can’t do with certain characters?

Anna: The relationship with DC has been fantastic. Look, they wanted to see what we had to offer, they got excited, they tried things. I’ve worked on many projects, I have many different relationships with such licensees, but it’s a creative process with a lot of satisfaction. They are very interested, they are very intelligent, they have good contributions to make. It was really rewarding, really nice to work with DC.

Patrick: It was really very interesting.

Mario: The people who gave feedback it was creator? I know Scott Snyder was a bit involved.

Anna: No, we worked with Randy Ma, a creative director at DC who deals specifically with video games. He has a lot of experience in that, it was really very pleasant. He helped us create the best possible game that represents DC the way it should be.

Patrick: We really felt heard and he was really receptive. And what we often offered was like… He was impressed, and then he threw the ball back at us like, ‘Wow! You’re really on to something really interesting.” It was really rewarding for both parties.

Anna: It was also fun that we’re all fans here, but it’s still him who knows the story in detail, it’s his job. It’s often fun to be able to ask him, “What can we do about it? “. And then we put out three references, comic panels. He worked really knowingly.

ALSO READ: Gotham Knights: a trailer for the PC version

Interview about the game’s narrative design Read More »

Latvia the strongest prime ministers party after the election

Zelenskyy asks EU states for more weapons

Ukrainian President Volodymyr Zelenskyy called on EU states for more weapons and ammunition to fight Russian invaders. Air defense systems are particularly important to prevent attacks on energy infrastructure, Zelenskyy said today in a video-streamed speech at the informal EU summit in Prague. The text was published by his office on the Internet.

“We need enough air defense systems to prevent Russia from leaving people without heat and electricity in winter,” Zelenskyy said. The President justified his request with the attacks on the “Nord Stream 1” and “2” pipelines in the Baltic Sea, which caused several leaks in the pipelines.

Selenskyi again called for the withdrawal of Russian troops from the Ukrainian-occupied Zaporizhia nuclear power plant. “We are all on the brink of nuclear catastrophe due to the capture of the Zaporizhia nuclear power plant by Russian troops,” he said. In addition, the president pushed for quick reconstruction assistance. He expects a “substantial discussion” of this at a reconstruction conference planned for Oct. 25 in Berlin.

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Nobel escapes the Zelensky trap and marks Putin as a

Nobel escapes the Zelensky trap and marks Putin as a pariah

Vladimir Putin turned 70 this Friday (7) with a gift from the Norwegian Nobel Committee. By anointing antiKremlin regime forces with the prestigious Peace Prize laureate, organizers have symbolically sealed the Russian president as a pet outcast of the West.

Putin doesn’t care, on the contrary: it’s great for his rhetoric of walling Russia in a hostile world that he sees the West hailing antigovernment activists. Of course in a context in which he equates his regime with the nation.

In the infamous speech last Friday (30th) ordering the annexation of four territories in Ukraine that he does not fully control, the President delivered his entire litany of criticism of a group of countries he calls the United States subservient to states in Europe that ultimately aim to thwart Russian freedom and bury their historical legacy.

The problem for Putin is that his rhetoric is echoing through the increasingly fragile walls of an elite increasingly opposed to the course of the Ukraine war. Less for breaking the Budapest Memorandum, in which Moscow recognized, among other things, the exSoviet borders of Ukraine, Belarus and Kazakhstan in 1994.

But there are public signs of dissatisfaction with the war and Russia’s international isolation. It’s good to be clear: the calls are for a more violent war rather than immediate peace. The political lane seems pretty narrow for Putin, who has always ruled through division and Darwinian struggle between elite factions.

In that sense, the awards given by Putin’s rivals to those unhappy with the jailing of their yachts and foreign accounts only confirm that their world will never go back to February 23, the eve of the invasion. For the hard line, it’s confirmation that it’s time to double down.

Also significant for the award is the selection of activists from the triad of countries of origin of the former Kievan Rus’, keepers of the common linguistic, religious and historical heritage. The Minsk dictatorship has evolved from a malleable ally of Putin to his vassal, and Ukraine is under aggression. In both cases, the central motivation is geopolitical, to regain strategic depth between the world’s largest country and Europe.

In particular, the election of Memorial, a human rights NGO founded in the closing years of the communist empire and dissolved by the courts last year. The historical role of his performance, from supporting imprisoned dissidents to defending gay rights in Chechnya, is enormous.

It is the second shot at Putin in two years after the 2021 award of journalist Dmitri Muratov, who saw his newspaper Novaia Gazeta become a digital refugee banned from operating on Russian soil.

After all, the Nobel Peace Prize demonstrated a cunning that is not known in other editions, for example when Barack Obama was honored in his first year in office he would not have deserved the prize even after eight years in the White House.

The committee escaped the trap of rewarding Volodymyr Zelenskyy, the controversial Ukrainian president who became a hero in the West for his tenacious, USarmed resistance to the Russian invasion. If he were the laureate, the leader’s years of corruption and authoritarian practices would be washed away.

Zelensky marked his tenure up to the war with vacillating politics, persecution of the opposition, and introduction of the Ukrainian language among the Russianspeaking population. Of course, he didn’t commit the genocide that Putin accused him of, but he wasn’t exactly welcome in the east and south of the country.

The Ukrainian leader is viewed with suspicion even in the West because, according to available reports, he is not trusted, does not share his military decisions with those who support them in practice and acts impulsively. But that is what we have today, and his bravery in resistance is enough to justify the moral position of Washington and its allies.

Also, the contradiction would be to make a man in arms a Nobel Peace Prize winner who the day before asked NATO (Western military alliance) to attack Russia before Putin uses a nuclear warhead against the Ukrainians and ignores World War III. that such an act would bring about what President Joe Biden called “Armageddon” that same day.

It makes more sense to reward an NGO dedicated to investigating war crimes attributed to the Russians, as well as a more unpredictable figure like Belarusian activist Ales Bialiatski, imprisoned by the dictatorship of Aleksandr Lukachenko.

Nobel escapes the Zelensky trap and marks Putin as a pariah Read More »