In this crazy and grotesque, very politically correct and neo-moralistic era, we simply lacked it Giovanna D’Arco “non-binary” and “gender fluid”. Patroness of France, loved for her role in the Siege of Orleans between 1428 and 1429 – the great French military victory over the British during the Hundred Years’ War – Joan of Arc will no longer be just “the Maid of Orleans” but a heroine with one undefined sexual identity. As ItalPress reports, everything is set to be staged at the Globe Theater in London soon in the new comedy I, Joan, in which the actress plays Joan of Arc Isobel Thomaswhich identifies itself as “non-binary”.
Joan of Arc woke up: It’s happening in London
“Our story of Joan is filled with joy, love, hope, magic and revolution,” she said Isobel Thomas to Nbc News. “Storytelling and art is a platform to share experiences, to engage the imagination, to excite and inspire, to explore and represent language. People and communities deserve to be supported and there is no limit to how many we can do that,” added Thom. Michelle TerryArtistic Director of the Globe, a reconstruction of the theater where William Shakespeare’s company played, said: “Joan of Arc has been a cultural icon for centuries, portrayed in countless plays, books and films. History has given us many wonderful examples. seen by Joan as a woman. This staging simply offers the possibility of a different point of view”.
Our play, London’s Globe Theater continued in a Twitter post, “features a legendary leader who uses the pronoun she/they” to refer to a single person. In English-speaking countries, La Repubblica commemorates transgender people or non-binary They use the phrase “my pronouns are they/they” to require that the third-person plural pronoun “they” be used, even when referring to each of them individually. One of many fashion obsession the culture of whining.
Shakespeare’s Globe Theatre
It is certainly not the first time that the Globe Theater in London gets people talking about themselves and attracts quite a few controversies. In October 2021, for example, the London theater, rebuilt in 1997, organized a series of “anti-racist seminars” to dissect and reflect on the bard’s works. The main goal was La Tempesta, a work that belongs to the last creative phase of the English playwright, already branded as “racist” and “colonialist” in the Anglo-Saxon world. To seem more acceptable to the ultra-progressive and “woke” audience, who knows, even the bard might not become a “non-binary” hero any time soon. Maybe that’s the only way to get out of the cancellation culture.